#77 How should your favorite film director make a film about you/your work? What to do, where to go, who is in it - write all.
Michel Gondry, I choose you. Do you accept? The Coen Brothers just didn't seem right for this project. But if you don't want to do it, maybe I will ask Wong Kar Wai.
Here's what we'll do. We'll reconstruct and rework parts of old pieces. The rehearsal process should be filmed, and some pieces should be performed live and filmed. Others can be performed strictly for the camera. Animation should be added, and in some places it should replace the footage.
We'll film Songs for You in a motel room. How to See Red should take place in a brain (a mix of live action and animation). The Something-ettes should be filmed in a long continuous shot down Mission street. A Hand in Desire can stay just where it was, in the basement performance space at Viracocha. We'll do a month long run of performances and shoot those. Original cast. Monkey Gone to Heaven requires an abandoned church in a jungle. Keyhole Dances should be done in the real homes of real couples who will perform it.
The entire process - production meetings, rehearsals, fundraising, etc, should be filmed. Scenes should be selected from this footage for a documentary, but rather than using the original footage, the scenes should be re-enacted (with seriousness and integrity) by elementary school students.
I imagine the re-enacted documentary scenes interspersed with the reconstructed pieces, but you're the director.
Also, can it end with a 3 panel split screen with Maggie Gyllenhaal, Maggie Cheung, and Cate Blanchett each individually doing gestural choreography based on my movement at the moments in rehearsal when I don't know what to do?